Lagerfeld for Coke Light
A very neat collaboration here for both parties. Although this isn’t strictly digital luxury it demonstrates a very modern approach to brand platforms. Coke benefits from the huge cache Karl brings to it along with his self-professed addiction to the fizzy beverage, and Karl continues to do one of the things he has done beautifully throughout his career, which is create accessible entry points to high end brands.
Not only has Karl designed the bottle, but he also shot the ad campaign. Details are the bottle is made of aluminium and comes neatly boxed with a bottle opener, available at Collette. This is not the first designer collaboration Coke Light has undertaken, but it may well prove to be their most significant.
Luxury Brands: fashionably late to the ecommerce party
With the news that luxury lifestyle brand Chanel has made the decision to start selling its products directly to consumers via its website, and that Selfridges is soon to launch a transactional website, one could ask if this signifies an online migration for the elite ones, and in short, yes it does.
Pod 1′s Fadi Shuman gives us his opinion about what’s in store for ecommerce in the luxury sector this year.
Full story at Figaro Digital
more.madame by Chanel
more.madame is a new website by Chanel & Le Figaro. The high-end digital mag promises new content each week, under the categories of fashion, culture, travel, video games and art. The current instalments include an animated fashion shoot entitled ’24 heures chrono’ and a selection of interviews with French creatives. A separate Chanel Joaillere section contains a series of movies based on Chanel product range. At present only two are available, one focused on the craftsmanship of Chanel jewellery, the other showing a range of watches.
The site is very well produced and certainly conveys a sense of luxury. But the experience is a very linear one and the site lacks any interactivity at all. It’s positive news to see brands such as Chanel engaging with user via digital channels. But to truly benefit from the web they need to relinquish some of the control that for many years has underpinned the very nature of their brand.





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